07-23-2007, 04:29 PM
Babelfish says:
Teuerste Serie aller Zeiten
Full hundred million dollar the series "Rome" cost, which shows RTL II starting from 8 July in twelve times 45 minutes, to double luggage bundled in six evenings at 20.15 o'clock. A budget as with "Gladiator", Ridley Scotts with five Oscars distinguished cinema drama, which brought the Sandalenfilm back on the canvas. Was the expenditure worthwhile itself? And: What has it with the authenticity on itself, maintained by the Machern of the series? No computer simulation For "Rome" genuine window blinds were built surprisingly. The spectator does not get sterile, Fata Morgana generated at the computer as vorgegaukelt in "Gladiator", but it sees a pulsating city of fully crying contrasts, splendour and dirt full. The impressive panorama from roads, places, backyards and interiors alone makes the series worth seeing. Less authentically it happens with the costumes and arms. The senators carry the voluminoese emperor-temporal Toga instead of the scarce republican model. The officer arms let one the long-proven Requisiteure of Cinecittà manufacture, with which result that Caesar, Pompeius & CO looked as in the old Sandalenfilmen, but not, as it says the newer research. Somewhat better it stands around the equipment of the simple Legionaere, but is also there for sign too small and the helmets the Fantasieprodukte.
Sex und Crime
The film producers grant themselves much their realistic combat scenes, in addition, there restrictions must be made. The characteristic reciprocal effect of Wurfspeersalve and sword attack is missing completely, since the speere are carried only to the Zierde. The separation of the fighters in the first member in the hand mixture would fold in the middle only if the opponent possessed the friendliness to watch doless. With the Galliern it acts around the usual cave people blend with helmet. In order to meet these kriegern, one still another good half millenium would have to back-travel further in the time. The film script reduces the policy to "Sex and Crime" and invents elements of kindischer incredibility as for instance history of the stolen putting ion eagle. The conception, with the patrician ladies concerned, corresponds themselves it louder intrigante Huren to the plate of dekadenten Rome, not however the delivered facts. The Romans were expressed actually pruede. The large personalities are falseoccupied from historical view. The Pompeius marked as a senile desire scrapper-cleaning was at the time of the first consequence around the 50, the griesgraemige Greis Cato (the younger one) younger around the 40 years old - thus well 20 and 30 years than the actors in the film. The also physiognomisch similar Caesar of the Rex Harrison in the "Kleopatra" film of 1963 one can only after-cry. It harms that the beautiful window blind did not become scene of an intelligent and reliable action.
Marcus Junkelmann/ruh
Teuerste Serie aller Zeiten
Full hundred million dollar the series "Rome" cost, which shows RTL II starting from 8 July in twelve times 45 minutes, to double luggage bundled in six evenings at 20.15 o'clock. A budget as with "Gladiator", Ridley Scotts with five Oscars distinguished cinema drama, which brought the Sandalenfilm back on the canvas. Was the expenditure worthwhile itself? And: What has it with the authenticity on itself, maintained by the Machern of the series? No computer simulation For "Rome" genuine window blinds were built surprisingly. The spectator does not get sterile, Fata Morgana generated at the computer as vorgegaukelt in "Gladiator", but it sees a pulsating city of fully crying contrasts, splendour and dirt full. The impressive panorama from roads, places, backyards and interiors alone makes the series worth seeing. Less authentically it happens with the costumes and arms. The senators carry the voluminoese emperor-temporal Toga instead of the scarce republican model. The officer arms let one the long-proven Requisiteure of Cinecittà manufacture, with which result that Caesar, Pompeius & CO looked as in the old Sandalenfilmen, but not, as it says the newer research. Somewhat better it stands around the equipment of the simple Legionaere, but is also there for sign too small and the helmets the Fantasieprodukte.
Sex und Crime
The film producers grant themselves much their realistic combat scenes, in addition, there restrictions must be made. The characteristic reciprocal effect of Wurfspeersalve and sword attack is missing completely, since the speere are carried only to the Zierde. The separation of the fighters in the first member in the hand mixture would fold in the middle only if the opponent possessed the friendliness to watch doless. With the Galliern it acts around the usual cave people blend with helmet. In order to meet these kriegern, one still another good half millenium would have to back-travel further in the time. The film script reduces the policy to "Sex and Crime" and invents elements of kindischer incredibility as for instance history of the stolen putting ion eagle. The conception, with the patrician ladies concerned, corresponds themselves it louder intrigante Huren to the plate of dekadenten Rome, not however the delivered facts. The Romans were expressed actually pruede. The large personalities are falseoccupied from historical view. The Pompeius marked as a senile desire scrapper-cleaning was at the time of the first consequence around the 50, the griesgraemige Greis Cato (the younger one) younger around the 40 years old - thus well 20 and 30 years than the actors in the film. The also physiognomisch similar Caesar of the Rex Harrison in the "Kleopatra" film of 1963 one can only after-cry. It harms that the beautiful window blind did not become scene of an intelligent and reliable action.
Marcus Junkelmann/ruh
TARBICvS/Jim Bowers
A A A DESEDO DESEDO!
A A A DESEDO DESEDO!
P twisted: :evil: :evil:
i am sad it is finished and that voeinus got killed
#@:'~@;'#': sorry man i can be such a (boudan) 
