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Ave Civitas,
While visiting a museum in Romania (or maybe Hungary) I saw a display of amphorae.
These amphorae were displayed to show that different cities produced different shaped jugs.
1. Is this true. That a city had a specific type of amphorae that, if that type were seen, everyone would know it was from that one city?
2. If this is true, when City A packaged one of their amphorae off to City B, the contents used. What happens to that amphorae?
2a: Is it shipped back to City A like a used milk bottle to the dairy?
2b: Is it sold to a used amphorae handler who does the return shipping
2c: Is it cleaned and used again (for something) produced in City B?
This was a thought that came up during writing a portion of my book and I want to keep the book as close to pure fact as I can.
Thanks again for your help.
Me.
AKA Tom Chelmowski
Historiae Eruditere (if that is proper Latin)
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Normaly the manufacture put a name on it (by stamp) and one manufacture was associated with the town where it was.
Susanna
<a class="postlink" href="http://www.musica-romana.de">www.musica-romana.de
A Lyra is basically an instrument to accompaign pyromanic city destruction.
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Look also at the following site:
Potsherd
There are several books out on pottery which you may find useful
Pottery in Roman Britain by Guy de la Bedoyere/Shire Publishing
Roman Pottery by Kevin Greene, British Museum Press
Handbook of Mediterranean Roman Pottery by John Hayes, British Museum Press
Richard Campbell
Legio XX - Alexandria, Virginia
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Ave Civitas,
As always, you guys are great. I will go into storage and see if I can attach that photo I took. It has been a couple years now, and I don't remember if the labels from the museum display are legible.
Thanks again,
me.
AKA Tom Chelmowski
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You do not know if they only haven been out of order?
Thanks Dan, did not know that.
Susanna
<a class="postlink" href="http://www.musica-romana.de">www.musica-romana.de
A Lyra is basically an instrument to accompaign pyromanic city destruction.
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Coraseware pottery generally was a low-cost item in the ancient world (I don't have it handy, but the prices in the Diocletianic Edict are astoundingly low), so it is quite credible that they were discarded. That said, we have eviodence for secondary use as urns, building materials, and writing material even of damaged ones, so I doubt there was anything like a rule for this.
AS to specific shapes for specific cities, I doubt it was that organised. We AS was pointed out, amphorae could be markeed by stamps or writing (they are unglazed, so gum-based ink sticks well). I suspect the difference is rather like coly bottles vs. the bottles used by small vintners - large producers with their own potteries stamp their amphorsare before firing, small ones buy from potters and 'label' them. Also, because coarseware pottery was mainly a local product (almost universally available materials and skills, low value, high bulk), many shapes and types of ampghorae can be traced to a certain area. Thus we can trace the trade of Southern Spanish olive oil by finds of the fairly typical amphorae (Dressel 22, IIRC, but I'm lousy with typology). Similar studies have been undertakern for African olive oil, Italian and Greek wines, Greek oil, and several commodities in the MIddle East. Frequently we do not know what was shipped in a given amphora even if we have a reasonable idea where it comes from.
Der Kessel ist voll Bärks!
Volker Bach