Quote:In many of the illustrations of fort exterior defences in the reference books I own (and also on many of the reconstructed buidings/fort towers Ive seen across Europe) the stonework is displayed as a "natural" finish. So fundamentally are we being provided with an unrepresentative/borderline inaccuate visual view of Roman military structures? Are Roman structures/taste more garish than could have imagined? I guess its a little like the now recognised difference between medieval church interiors- which were in reality a riot of colour although perception in only recent times past of how interiors must have looked in medieval times had been shaped by victorian "modernisation" (White paint, visible stonework, unpainted statutary etc - all very tasteful!)
As I indicated in the earlier answer, given the amount of evidence we have, it is difficult to assess just how widespread the practice was and how assiduously it was maintained once applied. Roman (and indeed classical) tastes were much more polychrome than ours have tended to be until comparatively recently, when external colour has started to make a bit of a comeback (the Victorians had no objection to highly coloured interiors, of course). Evidence suggests that major public buildings, statuary, funerary monuments were all painted to the point of being gaudy. It is modern or Victorian taste that likes to think of the Parthenon as a honey-coloured ruin rather than the explosion-in-a-paint-factory that it probably was.
The arguments, heartache, and worry that go into reconstructions (whether on paper, digital, or in the round) belie the simple statement of the structure. Hence the reconstructed section of Hadrian's Wall curtain wall at Wallsend has that small patch showing other possible finishes, a little bit of bet-hedging, perhaps.
Quote:I would also be interested in hearing any thinking regarding the reasons behind the white render/red lines- I take on board the need to protect certain walls from the weather depending on construction techniques but would there also be an element of making a clear statement of intent for all to see ( here stands the might of Rome!!)?
The principal reason is simple - the ancient world loved to pretend things weren't quite what they really were. A structure made of large ashlar masonry is much more impressive than one made out of coursed dressed rubble (as virtually every Roman military structure in Britain was) so once rendered it is an easy matter to inscribe pseudo-joints and highlight them with paint. However, the potential visual impact of such a process has not been lost on modern scholars, as it was doubtless apparent to the Romans. That's one reason why the whole
Hadrian's (White) Wall theory drew such attention, but you only have to compare it with freshly dug Bronze Age barrows in the chalk uplands of southern England, which were positioned to make the maximum visual impression, on the skyline and dazzlingly white. If you've got it, flaunt it ;-) )
Mike Bishop