Quote:At Khaltchayan, in central Asia, a building datable to c. 50 BC-AD 50 - perhaps a reception hall - was built. It contained a six-column portico, a central hall entered (like a 'broad-room' shrine) through its long side, and a ('centralised'?) square inner chamber with two central columns, enclosed by corridors, but with roof edge ornaments (antefixes) and terracotta roof tiles of Greek type

Quote:Traces of wall-painting including a head in the vestibule of the Khaltchayan 'reception hall' (c. 50 BC-AD 50) show a continuation of the style seen at Dilberdjin. The main reception chamber in the Khaltchayan hall was decorated with splendid wall reliefs in clay and stucco on a wooden frame ...
In the centre of the main wall sat a royal couple flanked by attendants; on the north side were further nobles, and a goddess on a chariot, while on the south were central Asian archers...{& a cataphract}
Most characteristic of this blended style is the great bronze statue of a Parthian grandee from the Shami sanctuary, variously dated c. 50 BC-AD 150; although Iranian in subject, the figure exhibits a Greek naturalism (Plate XIV). Thus in this period the hybrid has become completely predominant; and within the possibilities offered by this development, one has emerged pre-eminent: that in which different styles are completely blended.

Quote:I would like to see a photo judge how much imagination has been used.